So there have been a couple of reviews floating around that I have read on this little gizmo, but they are rather stale. I mean, if I could write a review about those reviews, that is what have to say. Wheres the passion? If you are gonna support a product that you think rocks then l
et me rock with you. Instead its like a trip to grandma's house on the day your friends want you to come out tothe movies with them. And not the kinda a trip where you leave with a $20 dollar bill either. Now I am not gonna go pointing fingers and naming names; my finger is way to important for that: I need it to take photographs. All I am saying is, if you are gonna support a product, then show me some ENTHUSIASM!!!So lets start of with the appetizer of this review. I am in the mood for something light and not too filling, but something everyone can share and enjoy. For that I guess you guys need a little backstory and a lot of what the hell is Sergey talking about. In mid-August I was browsing this really awesome website called DIY Photography. There was a quick blurb about a device that was coming out in September. This device is known as the VerteX. It was love at first site. The way it looked, the way it moved; I was in awe. So I thought, let me send them out a quick email and do a little name drop that I am from Paranormal State and see what happens. Well come beginning of September I had a pre-production unit, a rented lense and a model that was ready to go.
Now for those that are curious about what I am talking about, just do a quick visit to their Presslite's website or go directly here for a quick demo on couple of its possibilities.
The photoshot that I did in my previous blog, was done using the presslite. Now because the biggest advantage of using the presslite is that it allows you to direct light to bounce of walls ceilings, etc, I had bring a stand and an umbrella for the outside photos. I will be first to admit that I probably do not have the most knowledge when it comes to external flashs and all the accessories that are out there, but I have an open mind and the ability to recognize potential in subjects. And that is exactly what the Presslite Vertex has in my eyes. It has the potential to open a person up to a whole other world of photography. Can one survive without the VerteX? Yea, I don't think every photographer needs it. But I think like an explorer, and to me, this is something worth exploring.
This review is not done. In fact I will go out and do a more technical photoshoot today...wheres Ryan and Xander at? But if you guys have any questions let me know and I will incorporate them in the review.
A quick story on sturdiness:
A lot of people have brought of concerns that it looks fragile and will break easily. That is not the case. As I was leaving the house with the camera, flash and vertex all attached I accidentally smacked the VertX right off the camera agaisnt the door. It went flying. Picked up, examinded it...nothing. Nothing broke. It still works and it works fine.
Keep on snapping....photographs, not at one another.
Serg
PS
I love my grandma.
I love my grandma.
Technical Report
Here are a couple of test shots and how the light reacted. I didn't have the ability to come up with the cool 3D animated demo on Presslite's webiste so I took photos of how my VerteX was positioned.
Set up 1: Light bounced of the mirror panel and hit the right wall. The other part of the light bounced of ceiling and a tiny bit of the diffuse panel.
Set up 2: All light bounced of the diffuse panels straight toward the the right wall.
Set up 3: All light bounced of the mirrors straight toward the right wall.
Set up 4: Half of the light bounced of he mirror panel and half bounces of the diffuse panel.
Set up 5: Half the light bounced of the mirrors straight toward the right wall. The other, smaller half of light bounced of the ceiling and a tiny amount of the mirrors heading directly toward the subject.
Set up 6: Something like 70% of light went toward the ceiling. The other 28% or so went toward the slight right and the other 2% toward the subject.
Did I really just write," I took photos of how my VerteX was positioned."?
Here are a couple of test shots and how the light reacted. I didn't have the ability to come up with the cool 3D animated demo on Presslite's webiste so I took photos of how my VerteX was positioned.
Set up 1: Light bounced of the mirror panel and hit the right wall. The other part of the light bounced of ceiling and a tiny bit of the diffuse panel.
Set up 2: All light bounced of the diffuse panels straight toward the the right wall.
Set up 3: All light bounced of the mirrors straight toward the right wall.
Set up 4: Half of the light bounced of he mirror panel and half bounces of the diffuse panel.
Set up 5: Half the light bounced of the mirrors straight toward the right wall. The other, smaller half of light bounced of the ceiling and a tiny amount of the mirrors heading directly toward the subject.
Set up 6: Something like 70% of light went toward the ceiling. The other 28% or so went toward the slight right and the other 2% toward the subject.
Did I really just write," I took photos of how my VerteX was positioned."?
